She stretches out her hand, her fingers long and slender as a pianist’s. “He proposed to me in Yellowstone,” she says. In April, during a 10-day RV trip across the American West, her boyfriend, Mark Foster, the 35-year-old lead singer of the indie pop band Foster the People, asked her to marry him. On her ring finger is a four-carat diamond set atop a band of tiny ones. She is wearing a white linen button-down blouse, denim shorts and wedge sandals. We meet on a rainy late-June day at Ponce City Market, an open-air shopping mall in Atlanta, Georgia, where Julia is filming the third season of Ozark, a gritty and cerebral show about family, socio-economic class and the Midwest. Kitty Green, the director of the forthcoming The Assistant, in which Julia stars as an employee of Harvey Weinstein, says, “When we were casting, we were looking for a lead who was not only an extraordinary talent but who also had a unique look that could cut through the drab fluorescent office lighting.” There’s a gap between her two front teeth.
Her lips are thin (so rare, so retro) and usually emphasised by lipstick in man-eating red. At five feet four, she has a delicate frame but is not muscular. “She doesn’t look like anyone else.” Julia also doesn’t look like other twenty-something actresses. “She’s unique,” says Lily Tomlin, Julia’s co-star in the independent film Grandma. She’s some hard-to-pinpoint mix of Jean Harlow, Marlene Dietrich and Marilyn Monroe, and like all of those women, she has a look that is distinctly her own.
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With her almond-shaped navy-blue eyes, dimples, and blond curls that frame her face like a golden aura, Julia might have emerged from a classic movie herself.
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“And then when I was 12,” she says, “Netflix started with the DVDs that they would send to you, and I remember watching Taxi Driver for the first time on my laptop in bed.” Julia watched – and loved – All About Eve when she was just nine years old. “I used to watch with my parents, who were big movie fans,” says Julia, who is 25 and has starred in a spate of indie films but is best known for her ingenious turn as Ruth Langmore, the teenage matriarch of a family of petty criminals in Ozark, Netflix’s hit drama. as “one long humourless and necrophiliac swoon at the Windsors’ supposed tragi-romantic glamour”.As a child growing up in Riverdale, New York, Julia Garner, the second daughter of creative, cultured parents, watched a lot of classic movies. Neither film attracted particularly complimentary reviews, with the Guardian’s Peter Bradshaw describing Filth and Wisdom as “a nightmare of crass and fatuous stereotypes” and W.E.
The biopic would mark Madonna’s third feature film as director, after the London-set comedy-drama Filth and Wisdom from 2008 and the Wallis Simpson/Edward VIII biopic W.E., which was released in 2012.
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Garner recently starred in the Netflix series Inventing Anna, about high society con artist Anna Sorokin, and her most high-profile film role to date was the lead in The Assistant, the Kitty Green-directed drama about harassment in the film industry. Anyone else who tries is a charlatan and a fool … Why would Universal Studios want to make a movie about me based on a script that is all lies?” However, in 2017, Madonna said: “Nobody knows what I know and what I have seen. Called Blond Ambition and written by Elyse Hollander, it came top of the 2016 Black List of best unproduced screenplays. Anyone else who tries is a charlatan and a fool MadonnaĪn earlier attempt to mount a Madonna biopic derailed after the musician herself vocally criticised the script on social media. It’s essential to share the rollercoaster ride of my life with my voice and vision.” Only I can tell my story. In a statement at the time, Madonna said: “I want to convey the incredible journey that life has taken me on as an artist, a musician, a dancer – a human being, trying to make her way in this world … There are so many untold and inspiring stories and who better to tell it than me. Madonna’s plan to direct her own biopic from a script co-written by Young Adult’s Diablo Cody was announced in 2020.